Children's imprint Puffin has edited the works of writer Roald Dahl, known for 'Charlie and the Chocolate Factory' and 'Matilda,' for content.
However, the review of the author’s works began in 2020, before the deal. It was led by Puffin and Roald Dahl Story Company together.” A spokesperson for the Roald Dahl Story Company told Variety: “We want to ensure that Roald Dahl’s wonderful stories and characters continue to be enjoyed by all children today. When publishing new print runs of books written years ago, it’s not unusual to review the language used alongside updating other details including a book’s cover and page layout. Fox,” adapted as an animated film by Wes Anderson with a voice cast of George Clooney and Meryl Streep in 2009, has also been edited to “enormous.” Fox” to just Bunce.
The joint effort by the Roald Dahl Story Company and publisher Puffin was intended to make the children's books more inclusive and accessible.
In “The BFG,” a reference to the character of the “Bloodbottler” having skin that was “reddish-brown” has been removed. I’ve been horrified at the content of some of the things I read as a child, having revisited them as an adult.” “When publishing new print runs of books written years ago, it’s not unusual to review the language used alongside updating other details including a book’s cover and page layout,” the statement said. It's good to evolve with the times. His novel “The Satanic Verses” prompted Iran’s Ayatollah Ruhollah Khomeini in 1989 to issue a religious decree calling for Muslims anywhere in the world to assassinate Rushdie and anyone else involved in the publication of the book. In 1990, months before his death, he Others on social media warned of a dangerous precedent. Good god already seeing the insipid performative outrage at the Roald Dahl estate approving changes to his books, his estate approved this, nobody forced them. The Roald Dahl Story Co. In some cases, new lines were added. Some characters are now gender-neutral. Among the changes, according to the Telegraph: The character of Augustus Gloop from “Charlie and the Chocolate Factory” is no longer described as “fat.” Now he is referred to as “enormous.” What was described as a “weird African language” in the book “The Twits” is no longer weird.
Fans and critics alike are accusing British publisher Penguin Random House of censorship after they have removed certain lines and phrases from famous books ...
[https://t.co/P9dL7LFUgM] [February 19, 2023] been trying to talk about the roald dahl censorship without sounding like a boomer. [https://t.co/sRrGcMUUDE] [pic.twitter.com/rMig3Albr3] [February 19, 2023]
"Roald Dahl was no angel but this is absurd censorship," Rushdie said.
- The popular author had a controversial past, with a history of making antisemitic comments. The word "ugly" was also removed. - "The Dahl family and the Roald Dahl Story Company deeply apologise for the lasting and understandable hurt caused by some of Roald Dahl's statements," the comment read, per the - "Those who might cheer specific edits to Dahl's work should consider how the power to rewrite books might be used in the hands of those who do not share their values and sensibilities," she added. - In some cases, language was also added, such as in "The Witches," in a paragraph about the witches being bald under their wigs. [Roald Dahl Story Company](https://www.axios.com/2021/09/22/netflix-roald-dahl-deal?utm_source=twitter&utm_medium=social&utm_campaign=editorial&utm_content=economy-business-roalddahl) made hundreds of changes to the children's books to allow them to "be enjoyed by all children today," the Washington Post [reports](https://www.washingtonpost.com/lifestyle/2023/02/19/roald-dahl-books-revisions-salman-rushdie/).
Changes in new editions of Roald Dahl's books, including calling Augustus Gloop "enormous" rather than "fat", have been criticised by writers.
Fox, with the machines now described as "murderous, brutal-looking monsters". PEN America — a group of writers who advocate for freedom of expression — said it was "alarmed" by reports of the changes to Dahl's books. - In the new editions, Charlie and the Chocolate Factory's Augustus Gloop is called "enormous" rather than "enormously fat"
Puffin Books' new editions of Dahl's books such as Charlie And The Chocolate Factory and Matilda show some passages relating to weight, mental health, ...
“As for me, I’ll be carefully stowing away my old, original copies of Dahl’s stories, so that one day my children can enjoy them in their full, nasty, colourful glory.” Dahl died in 1990 at the age of 74. “When publishing new print runs of books written years ago, it’s not unusual to review the language used alongside updating other details, including a book’s cover and page layout,’’ the company said. Any changes were “small and carefully considered,” the company said. Critics complain revisions to suit 21st century sensibilities risks undermining the genius of great artists and preventing readers from confronting the world as it is. A review of new editions of Dahl’s books now available in bookstores shows that some passages relating to weight, mental health, gender and race were altered.
Hundreds of changes were made by publisher Puffin, including making Oompa Loompas gender-neutral. Read more at straitstimes.com.
Gender-neutral terms have also been added. The character of Augustus Gloop in Charlie And The Chocolate Factory (1964) is described instead as “enormous” and Mrs Twit from The Twits (1979) is no longer “ugly and beastly” but just “beastly”. For instance, the word “fat” has been trimmed from new editions of relevant books, while the word “ugly” has also been culled.
Author Salman Rushdie among those angry after some passages relating to weight, gender, mental health and race were rewritten.
Any changes were “small and carefully considered”, the company said. Dahl died in 1990 at the age of 74. Critics complain revisions to suit 21st century sensibilities risk undermining the genius of great artists and preventing readers from confronting the world as it is. Augustus Gloop, Charlie’s gluttonous antagonist in Charlie and the Chocolate Factory, which originally was published in 1964, is no longer “enormously fat,” just “enormous”. The machines are now simply “murderous, brutal-looking monsters”. A review of new editions of Dahl’s books now available in bookstores shows that some passages relating to weight, mental health, gender and race were altered.
The reworked editions of British novelist Roald Dahl's children's books have been heavily criticised. The changes were made after publisher Puffin ...
For example, the words "fat" and "ugly" were targeted and have been removed from the books in the new editions. Netflix partnered with a local production company, Beach House Pictures, to produce the series. In addition to specific word changes, gender-neutral expressions have been added. Puffin Books and the Dahl estate should be ashamed." [Channel News Asia](https://cnalifestyle.channelnewsasia.com/entertainment/roald-dahl-books-charlie-chocolate-factory-matilda-puffin-books-348866), booker prize-winning author Salman Rushdie was one of those who responded in outrage to the reworked books. In Charlie and the Chocolate Factory, for example, the character, Augustus Gloop, is now described as "enormous" and The Twits' character, Mrs Twit, is now described as "beastly" instead of "ugly and beastly".
Lines about weight, mental health, gender and race have been changed in new editions of Roald Dahl's books such as Charlie and the Chocolate Factory and ...
Dahl died in 1990 at the age of 74. “When publishing new print runs of books written years ago, it’s not unusual to review the language used alongside updating other details, including a book’s cover and page layout,” the company said. Any changes were “small and carefully considered”, the company said. Critics complain revisions to suit 21st-century sensibilities risks undermining the genius of great artists and preventing readers from confronting the world as it is. Augustus Gloop, Charlie’s gluttonous antagonist in Charlie and the Chocolate Factory, which was originally published in 1964, is no longer “enormously fat”, just “enormous”. Booker Prize-winning author Salman Rushdie was among those who reacted angrily to the rewriting of Dahl’s words.
Amid row over editing of language deemed offensive, Pullman says people should read the 'wonderful authors who are writing today'
For example, in The Twits, Mrs Twit is no longer “ugly and beastly” but just “beastly”. [hiring sensitivity readers to go over Dahl’s text ](https://www.theguardian.com/books/2023/feb/18/roald-dahl-books-rewritten-to-remove-language-deemed-offensive)to make sure the books “can continue to be enjoyed by all today”. For a young author now coming in, who hasn’t got the clout and the commercial power of someone like Roald Dahl, it’s quite hard to resist the nudging towards saying this or not saying that, which is a pity, I think.”
It's not the first time favourites in children's literature have come under attack, but the latest changes to Roald Dahl's work are polarising.
[Kerrie O'Brien](/by/kerrie-o'brien-gjigmb)is a senior writer, culture, at The Age and The Sydney Morning Herald.Connect via “It’s easier to make little changes to things like fantasy or [things] that are not meant to be taken seriously, like in Enid Blyton there’s a magic tree or Roald Dahl, there’s bucketloads of wonderful insanity. The stories are fun, the kids always win and none of that has changed, it’s just a few words here or there,” she says. According to Solomon, making changes to classics such as The Secret Garden by Frances Hodgson Burnett, which dates back to 1911, or Huckleberry Finn would be a different issue. He sees the tweaks to the language as logical and indeed justified. In fact, it prevents us from preparing children to engage with this idea that we agree is wrong and that they will eventually face,” she says.
Prime Minister Rishi Sunak joined criticism of changes to Roald Dahl's children's books after a series of edits by their publisher led to a debate over when ...
Critics accused the publisher of Roald Dahl's classic children's books of censorship after it removed language from works such as "Matilda."
The language was reviewed in partnership with Inclusive Minds, a collective which is working to make children's literature more inclusive and accessible. Dahl died in 1990 at the age of 74. "Puffin Books and the Dahl estate should be ashamed.'' Critics complain revisions to suit 21st century sensibilities risks undermining the genius of great artists and preventing readers from confronting the world as it is. Augustus Gloop, Charlie's gluttonous antagonist in "Charlie and the Chocolate Factory," which originally was published in 1964, is no longer "enormously fat," just "enormous." A review of new editions of Dahl's books now available in bookstores shows that some passages relating to weight, mental health, gender and race were altered.
Changes were made to some of Dahl's internationally popular books such as the “Matilda” and “The BFG” Read more at straitstimes.com.
Puffin Books and the Dahl estate should be ashamed,” Rushdie said on Twitter. “Roald Dahl was no angel but this is absurd censorship. The company which manages the copyrights and trademarks of Dahl said it was not unusual to review language when reprinting books, and described any changes as “small and carefully considered”.
Famous works including “The Twits” and “Charlie and the Chocolate Factory” have been adjusted.
Twit is simply “beastly” instead of “ugly and beastly,” as Dahl wrote in 1980. This is not the first time Dahl has been embroiled in controversy after his passing. “Those prejudiced remarks are incomprehensible to us and stand in marked contrast to the man we knew and to the values at the heart of Roald Dahl's stories, which have positively impacted young people for generations,” the company wrote on its website. Fox, to make them more inclusive, but some authors and critics have labeled the edits a form of censorship—here’s what to know about the revisions. [tweeted](https://twitter.com/SalmanRushdie/status/1627075835525210113?s=20) Dahl “was no angel but this is absurd censorship,” and said his estate should be “ashamed,” [calling](https://twitter.com/SalmanRushdie/status/1627375615165755392?s=20) those who edited Dahl’s writing “the bowdlerizing Sensitivity Police.” [reported](https://www.telegraph.co.uk/news/2023/02/17/roald-dahl-books-rewritten-offensive-matilda-witches-twits/) that “hundreds” of words in Dahl’s books had been changed; the character Augustus Gloop from Charlie and the Chocolate Factory is now described as “enormous,” instead of “enormously fat,” as he was in the original 1964 version, and in The Twits, Mrs.
New editions of the best-selling author's children's classics, including “Charlie and the Chocolate Factory,” have been altered to eliminate words deemed ...
While noting that it did not “write, edit or rewrite texts,” the group said that it had helped “provide valuable input when it comes to reviewing language that can be damaging and perpetuate harmful stereotypes.” “Our guiding principle throughout has been to maintain the story lines, characters, and the irreverence and sharp-edged spirit of the original text.” A review of the author’s works began in 2020, before [Netflix acquired the Roald Dahl Story Company](https://about.netflix.com/en/news/netflix-acquires-iconic-roald-dahl-story-company), which manages the author’s copyrights and trademarks, Rick Behari, a company spokesman, said in a statement on Monday. “I never get any protests from children,” Mr. “What are you going to do about them? But they remain widely read and are regularly reimagined for the silver screen. “When publishing new print runs of books written years ago, it’s not unusual to review the language used alongside updating other details including a book’s cover and page layout,” Mr. “All you get are giggles of mirth and squirms of delight. The books’ publisher, Puffin Books, and the author’s estate did not immediately respond to questions about the nature of the changes. Behari said that the estate had partnered with Inclusive Minds, an organization that champions diversity and accessibility in children’s literature. In a statement on Monday, the group declined to discuss the Dahl project specifically. The changes have prompted widespread criticism from prominent literary figures and others, including Prime Minister Rishi Sunak of Britain.
The news that changes have been made to the works of best-selling children's author Roald Dahl has been met with anger from leading writers, ...
While he did not express support for the changes, he told BBC Radio 4's "Today" show on Monday that Dahl's books should be left to "fade away." Following the release of his 1988 novel "The Satanic Verses," the then-Iranian leader Ayatollah Ruhollah Khomeini issued a fatwa calling for the his death. When publishing new print runs of books written years ago, it's not unusual to review the language used alongside updating other details including a book's cover and page layout. In a lengthy report published on Saturday, British newspaper The Daily Telegraph revealed that it had found hundreds of changes across the author's many children's books. It has now emerged that current editions of his books, published by Puffin, feature the following wording at the bottom of the copyright page: "Words matter. Fox, Willy Wonka and the Twits.
Peter Hitchens has slammed the "censorship" of Roald Dahl's books, calling it a "crime against truth".
The formidable Miss Trunchbull in Matilda, previously described as having a “great horsey face,” now just has a “face”. "We now live under a marshmallow totalitarianism - there are things you can no longer say. A body found in a river has been identified as missing mother-of-two Nicola Bulley, police have... Prince Harry's legal fight for police protection when he visits the UK has reportedly cost... The witches in his 1983 novel of the same name are described as “old crows” instead of “old hags”. The word "fat" has been removed from every book, with the character Augustus Gloop in Charlie and the Chocolate Factory now described as “enormous”.
Author Roald Dahl autographing books in Dun Laoghaire shopping centre, Oct. 22, 1988. Independent News and Media—Getty Images. By Armani Syed.
These edits include the Cloud-Men in James and the Giant Peach becoming Cloud-People, while in The Witches, the use of “old hags” has been replaced with “old crows.” “You start out wanting to replace a word here and a word there, and end up inserting entirely new ideas.” Instead, she suggests, publishers should include introductions to works with offensive language to prepare readers with context. [who died](https://www.nytimes.com/1990/11/24/obituaries/roald-dahl-writer-74-is-dead-best-sellers-enchanted-children.html) at age 74, had a history of making anti-Semitic comments and including [racist](http://bbc.com/culture/article/20160912-the-dark-side-of-roald-dahl) tropes and language in his works. Puffin Books and the Dahl estate should be ashamed.’’ In Matilda, a mention of the English novelist Rudyard Kipling has also been replaced with Jane Austen. In The Witches, Dahl had written, “You can’t go round pulling the hair of every lady you meet, even if she is wearing gloves. The idea was rejected on the grounds that he was “associated with anti-Semitism and not regarded as an author of the highest reputation.” “We hope that, just as he did at his best, at his absolute worst, Roald Dahl can help remind us of the lasting impact of words.” “He may have been a great children’s writer but he was also a racist and this should be remembered,” she said. But in the years since Dahl’s death in 1990, some have turned their focus to a number of harmful tropes used by the late British author, including a history of Puffin Books, a children’s imprint of Penguin Books, worked with the Roald Dahl Story Company (RDSC), which is now exclusively owned by Netflix, to review the texts. The organization told TIME they “do not write, edit, or rewrite texts, but provide book creators with valuable insight from people with the relevant lived experience that they can take into consideration in the wider process of writing and editing.”
Children's books implicitly shape the minds of young readers - and are covertly censored in many ways. But revising occasional words will usually not shift ...
Most notably, Charlie and the Chocolate Factory (1964) was partially rewritten by Dahl in 1973 after [pressure from the National Association for the Advancement of Colored People](https://daily.jstor.org/roald-dahls-anti-black-racism/) and children’s literature professionals. Librarians and teachers may select, or refuse to select, books because of the potential for complaint, or because of their own political beliefs. It also enables discussion of topics such as racism and sexism with parents and educators, more easily achieved if the original language remains intact. This option works as a covert form of censorship, given the power adults hold over what books children can access. [The Family Shakespeare](https://archive.org/details/familyshakespear00shakuoft) was published in 1807 and contained 20 of the author’s plays. Third, we can allow children to read any version of a book, original or bowdlerised. Children’s literature implicitly shapes the minds of child readers by presenting particular social and cultural values as normal and natural. [Was the Cat in the Hat Black? In Matilda, the protagonist no longer reads the works of Rudyard Kipling but Jane Austen. For instance, Augustus Gloop in Charlie and the Chocolate Factory is no longer “fat” but “enormous”. which cannot with propriety be read aloud in a family”, specifically in front of women and children. Mrs Twit, from The Twits, has become “beastly” rather than “ugly and beastly”.
A recent decision by publisher Puffin, in conjunction with The Roald Dahl Story Company, to make several hundred revisions to new editions of his novels has ...
Most notably, Charlie and the Chocolate Factory (1964) was partially rewritten by Dahl in 1973 after [pressure from the National Association for the Advancement of Colored People](https://daily.jstor.org/roald-dahls-anti-black-racism/) and children’s literature professionals. It also enables discussion of topics such as racism and sexism with parents and educators, more easily achieved if the original language remains intact. This option works as a covert form of censorship, given the power adults hold over what books children can access. [The Family Shakespeare](https://archive.org/details/familyshakespear00shakuoft) was published in 1807, and contained 20 of the author’s plays. Third, we can allow children to read any version of a book, original or bowdlerised. [Was the Cat in the Hat Black? Children’s literature implicitly shapes the minds of child readers by presenting particular social and cultural values as normal and natural. While Dahl vehemently denied the novel depicted black people negatively, he revised the book. Mrs Twit, from The Twits, has become “beastly”, rather than “ugly and beastly”. Publishers are aware that controversial topics, such as sex and gender identity, may see books excluded from libraries and school curriculums, or targeted for protest. For instance, Augustus Gloop in Charlie and the Chocolate Factory is no longer “fat”, but “enormous”. which cannot with propriety be read aloud in a family”, specifically in front of women and children.