Vaathi movie review: Despite having a stellar plot that could have helped director Venky Atluri create a good entertainer, this Dhanush-starrer proves that ...
In these sequences, Atluri also shows a cinema hall transforming into a school, highlighting the power of motion pictures. While he falls in love with her at first sight (as is customary), Meenakshi develops feelings for Balamurugan after hearing him give a (completely uninspiring) speech to the villagers about how Dr APJ Abdul Kalam became “The Missile Man”, making their bond appear childish. The scene in which Bala Sir teaches his students about caste discrimination as a social ill thus becomes meaningful, even with the tepid dialogues. It is only towards the end when he appears looking like Raavanan and Bharathiyar (in different scenes), that the film provides some kind of goosebumps in its entire running time of about 140 minutes. This happens after Srinivasa Thirupathi (Samuthirakani), the head of Thirupathi Educational Institutions and president of the private schools’ association, offers a ‘helping hand’ to the failing government schools by agreeing to send some teachers from private schools to their state-owned counterparts. Their search for the teacher takes them to a District Collector who, upon seeing the cassettes, beams with pride and says that he was the teacher’s student.
It is when the film goes a little easier on itself that we get portions where it's most inventive. Especially, there is a lightness when it transforms into ...
It is a highly melodramatic sequence that is meant to show the pain Bala goes through in his efforts to keep teaching. In this, not only does it speak about the cinema hall becoming a temple of learning, but it also creates the space for Bala to keep appearing in different costumes (including that of Subramania Bharathi) without the effect feeling too contrived. But it is the manner in which we arrive at foreseeable plot points that makes it hard to keep engaging with Vaathi. The main antagonist here (played by Samuthirakani) is a man who is not just the pioneer of private education in Tamil Nadu but he is also Balamurugan’s ( Be it a film like Saattai (2012), the more recent [Master](https://www.filmcompanion.in/reviews/master-movie-review-tamil-vijay-thalapathy-flaws-and-all-lokesh-kanagaraj-delivers-a-classy-mass-movie-vijay-sethupathi-baradwaj-rangan) (2021), or [Nammavar](https://www.filmcompanion.in/features/super-30-kamal-haasans-nammavar-and-the-inspirational-teacher-trope-in-cinema) (1994) which inspired the Lokesh film, it’s as though it is only a matter of time before we get another montage of a campus cleanup featuring annoyingly gleeful students. [teacher as a saviour](https://www.filmcompanion.in/fc-lists/10-teachers-from-tamil-cinema-we-love-master-nammavar-saattai-pasanga) has been a part of our movies for so long that it has become easy to predict the ebbs and flows of the subgenre.
Star Cast: Dhanush, Samyuktha Menon, Samuthirakani, Sai Kumar, and ensemble. Director: Venky Atluri. Vaathi Movie Review Out ( Photo Credit – A Still From ...
Venky Atluri in his direction quite cleverly understands that he has to make his movie around Dhanush in a way that his message is conveyed and the audience is entertained too. The actor manages to make you feel the pain that he goes through and his struggle he does to give the children access to education. All the actors who play students do a very fine job in their respective parts and make the movie a very good experience. The story that the writer sets out to tell about the present and how a boy is not that great at studies stumbles upon a box of footages from the past. The actor with his little frame beams maximum power in a movie that has all the actors larger in frame than him. Samyuktha Menon gets to play a stereotypical part that is always in service of the leading man Bala. The film completely forgets to address this and gives him a conclusion. With Dhanush coming to the big screens with a film with the same word, it was surely an intriguing factor. The film is a simple entertaining watch that also tries to educate, you can give it a try. He balances out the seriousness and drama of the subject pretty well. The film wants to educate people about the importance of education, and make them believe that only academics can make people think better and away from the orthodox system that we are conditioned to live in. Little does the corrupt head of the said institute knows that the teacher will equip the students of the rural school to top the exams and excel even more than his city children.
It's a shame that Dhanush's entry into the Telugu movie industry has to be marked by a film of such mediocrity and confused politics.
Sentimentalisation in the name of religion seems to have blinded the director to the fact that education is a basic right, separate from religion. Vaathi even attempts a tongue-in-cheek reference to Master, when the ‘JD Soundtrack’ plays briefly at the beginning of the film. The director seems to think that a lecture from Dhanush and a trick he plays on the students is enough to bring down centuries of segregationist practices. Without a foil we can take seriously, the film flounders to give its hero a convincing arc of defeat and then victory. It’s a shame that Dhanush’s entry into the Telugu movie industry has to be marked by a film of such mediocrity and confused politics. It is a bland paean to the Economically Weaker Section (EWS) quota, which in itself is casteist.
'Vaathi is not a badly made film. It is exactly what it appears to be — a melodrama that will manipulate its way into your heart, stay there for five ...
Vaathi is not a badly made film, it is exactly what it appears to be — a melodrama that will manipulate its way into your heart, stay there for five seconds and then disappear forever. The film is also not inclined to show why Vaathi is a good teacher. The film mostly stays true to its genre — a mellow melodrama that tugs at your heartstrings, about a professor who takes a whole school under his wing and instils a love for school and education in a mostly disinterested but diverse set of students. He also looks disinterested and uninvolved in a film where even the few comedy bits are plagiarised and are at least two decades stale. And then when we go back to the late ‘90s and meet him in the flesh, Atluri inserts a fight scene. A word or a phrase or even a line from a song entering the Tamil cinema lexicon and overstaying its welcome is as regular as a big star’s Pongal or Deepavali release.
Even if everything goes downhill in a Dhanush film, one can rest assured his films will always have a poignant father-son scene. Right from the times of Thiruda ...
However, the idea isn’t fully developed, and it is also the case with the film being set in the 90s era. There are a lot of similar beats in both films, especially the camaraderie between the students and the teacher. Also, the ‘love at first sight’ and the ‘fighting for the girl’ tropes have no place in Vaathi, even if the film is set in the glorious 90s that always had a soft corner for such scenes. Of course, his materialistic world is challenged by the idealistic and rather simplistic world of Balamurugan, or as he is fondly called Bala sir. The film begins in 2022, and soon enough, through the wondrous world of VHS tapes, we are transported back to the late 90s and jump right into the crux of Vaathi — privatisation of education. In fact, sandwiching a sentimental moment between template scenes is a trademark of this film.
Dhanush's most anticipated film 'Vaathi' has been released in theatres today, February 17. Directed by Venky Atluri, the film is a social drama focuss.