Your Place or Mine

Scheduled to spend a week in New York getting a degree that will advance her career, Debbie abruptly loses her babysitting, at which point Peter gallantly steps ...

Brosh McKenna clearly knows her way around the genre (her writing credits also include “27 Dresses”), as do her stars. But those awkward red-carpet photos weren’t the only part of this exercise that didn’t quite work, whatever place one happens to watch it. Despite a fleeting history described as a “hookup,” Kutcher’s Peter and Witherspoon’s Debbie have been platonic friends for 20 years. While that has worked out before (think “Sleepless in Seattle”), it doesn’t here, in a Netflix movie that proves roughly as generic as its title. Then again, the movie is as much about real estate as romance, as well as the familiar question of paths taken and not chosen. Written and directed by Aline Brosh McKenna of “Crazy Ex-Girlfriend” renown (who also produced along with, among others, Witherspoon and Jason Bateman), “Your Place” hinges on Peter and Debbie learning to appreciate each other’s differences – she’s a stickler for routine, while he’s free-spirited, or “irresponsible” in her eyes – through their house-swap experiences.

Clearly the journey is always more important than the destination when it comes to romantic comedies, but there's barely a twist or detour or even a pothole ...

[Tig Notaro](/cast-and-crew/tig-notaro). (Seriously, name a Cars song, and it’s in this movie, including “ [Drive](/reviews/drive-2011)” while Peter is ... [Wesley Kimmel](/cast-and-crew/wesley-kimmel)). Split screens show that Debbie lives in a cluttered and colorful Los Angeles Craftsman while Peter lives in a sleek and spacious Brooklyn condo overlooking the Brooklyn Bridge. Even though they live across the country from each other, they still talk every day in some form, and while their conversations are breezy, they lack a believable spark. McKenna also wrote the far superior Oscar nominee “ [The Devil Wears Prada](/reviews/the-devil-wears-prada-2006).” Her latest film never comes close to reaching those heights in terms of sharp dialogue or richly drawn characters, but it also isn’t aiming that high.

Where was Your Place or Mine on Netflix filmed? Discover the New York and LA filming locations for the new Reese Witherspoon and Ashton Kutcher movie.

The production ended up using a Hollywood stage that was originally built for The Three Stooges. The scene where Debbie and Peter reunite at LAX was also filmed on a sound stage, rather than at the actual airport. For the exterior of Debbie’s LA home, the production found a house in the neighborhood of Echo Park. For the exterior shots outside Peter’s New York City bachelor pad, the production found a street in the Brooklyn neighborhood of Dumbo. But where was Your Place or Mine actually filmed? Written and directed by Aline Brosh McKenna, Your Place or Mine stars Witherspoon as a neurotic single mother, Debbie, who needs to spend a week in New York City, away from her son, in order to finish up her business degree.

Arriving just in time for Valentine's Day 2023 is Netflix's latest romantic comedy starring Reece Witherspoon and Ashton Kutcher.

Let us know in the comments below! - Bye Bye Love – The Cars Below is the full soundtrack for all of the composed music and songs heard throughout Your Place or Mine.

Director: Aline Brosh McKenna · Cast: Reese Witherspoon, Ashton Kutcher, Wesley Kimmel, Steve Zahn, Jesse Williams, Tig Notaro, · Runtime: 109 minutes · Storyline: ...

In a film that is supposed to be about love and romance, the audience is never given a chance to gauge the leads’ chemistry. The leads of the film spend most of their time in two different cities and the split screen plays spoilsport with the romantic tension. In the process, they open their lives to each other and the audience.

"Your Place or Mine" is Netflix's latest romantic comedy film, and its biggest achievement seems to have somehow gotten big names like Reese Witherspoon ...

The next morning, at the same time that Debbie arrives at the airport, Peter is there to catch his departing flight, and the two meet. Peter calls Debbie from the hospital and tells her about this, and the woman is very concerned and upset about the situation. This clearly announces to her that Peter has been in love with her, and she is overwhelmed by this because she, too, has always been in love with him, obviously. Peter is now a published writer, and Debbie is an editor at an indie publishing house, while Jack continues to play hockey regularly. She happens to meet with the editor of a recognized publishing house, Theo and gives him a copy of the novel. However, he is unable to go through with it with Debbie on his mind, and as he explains to their common friend Alicia, Peter has always been in love with his best friend. Or, it could also be that the novel was a projection of how he wanted his relationship with his father to be since, in reality, it was one of being abandoned and hurt at a young age. This seems to be the reason why he ended the possible romance between him and Debbie twenty years ago, as he did not want to get attached to the woman. Although the boy is allergic to basketball courts and to grass on football fields, he is very interested in playing hockey, but his mother does not allow him to do so as it involves risks and injuries. He directly tells Jack, though, that his father abandoned him and his mother when he was a young boy and then died in a road accident. Peter himself takes some time off his work and flies to Los Angeles to look after Jack so that Debbie can go to New York and attend her course. However, the two became close friends and continued to be best friends for the next twenty years.

Netflix's new modern-day rom-com "Your Place or Mine" was filmed in Los Angeles and New York City. It features a Dumbo apartment and a home in Echo Park.

“We wanted the New York section to be a really strong element because so much is about Debbie’s journey to New York and how those experiences reawaken her,” director of photography Florian Ballhaus said in the brief. Debbie’s house, found by location manager Veronique Vowell, is located in L.A.’s Echo Park neighborhood at the top of a 100-step hillside walkway. Special effects supervisor Ron Bolanowski and his team constructed the people mover from scratch. [New York City](https://www.housebeautiful.com/lifestyle/a36902116/what-to-do-in-new-york-city/) and [Los Angeles](https://www.housebeautiful.com/lifestyle/a36803484/what-to-do-in-los-angeles/) have long been the backdrops of [iconic rom-coms](https://www.housebeautiful.com/lifestyle/entertainment/a41922230/falling-for-christmas-netflix-filming-locations/). Another pivotal location in the film is LAX. He added: “It’s a very hip and trendy place, which Peter would be attracted to.

Aline Brosh McKenna on making 'Your Place or Mine' starring Reese Witherspoon and Ashton Kutcher film and potential The Devil Wears Prada sequel.

In a funny way, I am that wide-open person that I was in my early 30s. Someone left a pizza in the oven for so long that mold was growing out of the box and onto the grills. I’m old enough that I saw the good old days, and I can tell you that there are upsides now. It was a great experience for the first thing I ever shot. So it’s about following the trends in the business and about figuring out who you could put on your dance card who wants to dance that same mambo. Everything has changed so rapidly that the business needs to adjust to where we are now. But I was talking to someone the other day and he said, “I see your work as coming-of-age movies for adults.” I asked him if I could tuck that in my pocket, because that is how I see it. In a 2019 interview, you praised the “sky’s the limit” approach of TV over the corporate nature of film. I had a writing partner, Jeff Kahn, and we had a pilot called Young Americans for Disney and Fox. They’re why I fell in love with the movies I fell in love with. But there are some where I just handed over the script, hoping for the best. The movies that made me want to be a writer were the ones starring Irene Dunne and Cary Grant, Spencer Tracy and Katharine Hepburn, Henry Fonda and Barbara Stanwyck.

The Tamil heist thriller Thunivu is at the top of our list, and it's one of three new Netflix releases this week (including a rom-com with Ashton Kutcher and ...

This musical biopic follows the story of Whitney Houston’s rise to fame in the 1980s as one of her generation’s most talented singers. and it wants them to come upstairs. The ambiguity of the film’s terror, which depends much more on sensation than explicitly scary figures or monsters, grabbed some viewers by the throats. A celebrated documentarian, this is Diop’s first narrative feature, following a writer who attends the trial of a woman accused of murdering her child. Corsage also won Best Film at the London Film Festival, among a bevy of other wins and nominations on the festival circuit. Director Michelle Garza Cervera’s feature debut is a horror movie about a woman who has dreamed of being a mother, only to suspect something is off once she is finally pregnant. Krieps was a co-winner at Cannes under the category Un Certain Regard - Best Performance, and director Marie Kreutzer was also nominated at Cannes. In the movie, the gang reunites to take on a gigantic company called Amazin, run by a guy named Neil (Peter Serafinowicz). Sara (Laura Galán), an overweight teen who works behind the counter of a butcher shop, is bullied by a clique of local girls. note: Pete] be watching this weekend?” you have found your answer. This rom-com is about two friends who have very different lifestyles and swap houses and lives for a week. The Tamil heist thriller Thunivu is at the top of our list, and it’s one of three new Netflix releases this week (including a rom-com with Ashton Kutcher and Reese Witherspoon).

Aline Brosh McKenna's ('The Devil Wears Prada') cross-country Netflix romcom shouldn't work given the leads' lack of sparks, yet has a strange charm.

Or if the characters were older — maybe that’d make it easier to buy into the idea that these two people are already so sure of what they want out of life, so experienced in the ritual of being let down by more titillating flings and affairs, that settling down with someone familiar might make noble sense. And Your Place or Mine is worth watching for that alone, this iron-willed commitment to the premise in full defiance of what the characters are actually giving us. Here she is, look at her go: showing up to her seminar with a backpack and new school supplies, practically huffing the scent of a newly-sharpened pencil, being all wide-eyed and adorably game for the joys of life, being completely absent of any kind of cynicism. When she and Williams’s publisher get to prattle their way through a handful of cute scenes, the movie finally lands on something: a counterargument. [romance](https://www.rollingstone.com/t/romance/) to watch! And then the backstories kick in and Your Place or Mine, which runs nearly two hours, gets distracted, pretending that it’s as worthwhile to watch Debbie chatting it up with Peter’s fab, New Yorkey ex as it is watching Peter try to play dad to Debbie’s perfectly well-adjusted teen. Your Place or Mine offers us a full-blown case for reverting back to the anodyne safety and security of the familiar, no matter the substantial downsides. When Your Place or Mine opens, Debbie and Peter get the split-screened, made-for-each-other visual gags familiar from old Doris Day and Rock Hudson comedies, those cutely twinned shots of each of them lying in bed reading at the same time, bathing at the same time, ritualistically in sync in ways neither of them fully realizes. Played, respectively, by [Reese Witherspoon](https://www.rollingstone.com/music/music-country/kacey-musgraves-reese-witherspoon-talk-struggles-for-women-in-country-music-713278/) and [Ashton Kutcher](https://www.rollingstone.com/tv-movies/tv-movie-news/a-closer-look-at-ashton-kutcher-69773/), Debbie and Peter are long-time friends. Debbie’s headed to New York for a week-long seminar (she’s trying to abandon her love of the literary arts in favor of a more practical job that pays more), and it’s supposed to be an occasion for her and her bestie to reunite. Each of these people (one more than the other, owing to a certain unevenness at the heart of the movie) has to choose between the genuine but uncertain chemistry that enters their lives — a real, tactile, tingly sexual spark — or the chance to return to their shared, multi-decade past, to the person that they know will never leave them because they’ve always already been there. He lives in a steely Brooklyn apartment with a view of Manhattan that’s furnished with a stove he’s never used, cutlery that’s never been opened, and a despairing lack of tchotchkes — there is not so much as a photo of himself or anyone he loves in plain sight.

Reese Witherspoon and Ashton Kutcher's friendship turns romantic in Netflix's Your Place or Mine, from Devil Wears Prada writer Aline Brosh McKenna.

Reese Witherspoon and Ashton Kutcher star as longtime friends Debbie and Peter, who, although they once had a late-night dalliance in bed, now live on opposite ...

But the film fizzles instead, with an astonishing lack of momentum throughout (fault: Bosch McKenna) and a dire lack of interest for and between the characters (fault: Witherspoon and ensemble). And just like that, we’ve got the world’s most non-threatening premise as these two opposites end up in a bit of a The Holiday-esque life-swap drama, living in each other’s spaces and meeting each other’s people while only staying in touch via FaceTime and text messages. Unfortunately, the plot gets a bit lost (aka boring) from there, as we fast forward a couple decades and meet these two at very different points in their lives. With different leads, perhaps there’s some charm to be had here, but Witherspoon and Kutcher have about as much chemistry as Biden and Putin in a diplomatic meeting. Written and directed by Aline Brosch McKenna (“Crazy Ex-Girlfriend,” and writer on The Devil Wears Prada), Your Place or Mine makes a valiant effort to dance that fine line between the classic tropes of the genre—meet cutes, quirky best friends, etc.—and the break-neck pace of dating in the 2020s, where relationships often form, happen and end in the span of a few text messages. Reese Witherspoon and Ashton Kutcher star as longtime friends Debbie and Peter, who, although they once had a late-night dalliance in bed, now live on opposite sides of the country and are nothing more that platonic besties (yeah, right).