Comic book saviors get resurrected all the time. Chadwick Boseman's 2020 death made that impossible for the sequel to 'Black Panther.'
A whole swath of characters turned to dust at the end of Avengers: Infinity War, only to be snapped back to life in Endgame. It treats T’Challa’s passing with a permanence and respect that superhero stories struggle with, and it creates an emotional depth the genre often lacks. The path eventually chosen—to write Boseman’s death into Marvel canon by killing T’Challa off-screen—was, then, as unavoidable as it was brave. And pray for a resurrection.” He got his wish; the Manhunter was back in action two years later, after the events of the Blackest Night storyline, which involved a god of death resurrecting even more dead characters. Following actor Chadwick Boseman’s untimely and tragic passing in 2020, all plans for a sequel to 2018’s wildly successful and beloved [Black Panther](https://www.wired.com/story/black-panther-review/) featuring its title character were torn asunder. A funeral scene for the Martian Manhunter in 2008’s Final Crisis shows Superman ending his eulogy, “We’ll all miss him.
The sequel is haunted by the loss of Chadwick Boseman, but it finds a different way to do something radical. By Dana Stevens. Nov 10, 2022 ...
Namor, a Mesoamerican god who gets around via tiny fluttering wings on his ankles, first appears to the queen and the princess of Wakanda in the guise of peacemaker, asking for their help in resisting the colonial superpowers that seek to rob both cultures of their resources. This overstuffed plot means that some of the film’s most emotionally powerful scenes, like an electrifying dreamworld encounter between Shuri and an unexpected figure from her past, get sandwiched between CGI-crammed battle sequences and left too little time to resonate with the audience. Especially within the superhero genre, built around the presumptive indestructibility of both its individual protagonists and its larger brand identity, the sudden and irreversible loss of a character like T’Challa is a hard blow to reabsorb into the MCU’s system. To a much greater degree than I would have thought possible, Wakanda Forever is a gajillion-dollar comic-book blockbuster about something as complex and interior as the act of female mourning, split among at least four different strong woman protagonists. Boseman’s death in mid-2020 came as a complete shock, the actor having kept his diagnosis of colon cancer secret from all but his closest loved ones. In place of the familiar Marvel intro—a comic-book–style flip-through montage of heroes from throughout the Marvel Cinematic Universe—comes a somber, elegiac tribute to a single figure: the Black Panther himself, T’Challa, beloved leader of the Afrofuturistic utopia of Wakanda, as played by the late Chadwick Boseman.
Over its last few movies — Eternals, Doctor Strange in the Multiverse of Madness, and Thor: Love and Thunder — Marvel has used its post-credits scenes to ...
They wanted a normal life for Toussaint, Nakia says, and the scene ends with Nakia and Shuri’s newfound nephew asking Shuri to keep their secret. Nakia introduces the boy as her son, and he tells Shuri his name is Toussaint. As Shuri is grieving, Nakia approaches her with a 6-year-old boy in tow and asks if they can grieve with her. The movie’s final scene has Shuri finally visiting Nakia and performing a Wakandan ritual in which she says goodbye to her brother. Shuri wrestles with her anger and guilt at not being able to help him. One might assume that would happen with Wakanda Forever, especially with how the movie introduced the antihero [sub-mariner](https://www.marvel.com/characters/sub-mariner) Namor (Tenoch Huerta) and the underwater city of Talokan.