Here's a video essay about how the directing duo the Daniels stretched every dollar to make 'Everything Everywhere All At Once' feel enormous.
[StudioBinder](https://www.studiobinder.com/). (She/Her). You can check out their YouTube account [here](https://www.youtube.com/channel/UCUFoQUaVRt3MVFxqwPUMLCQ/videos). Everything Everywhere All At Once feels enormous, spanning genres, time periods, genres, and dimensions with kinetic ease that never betrays the fact that the film cost [less than the craft services budget of a Marvel film](https://ew.com/movies/everything-everywhere-jamie-lee-curtis-multiverse-feud-dr-strange-2/). And we’ve talked to cinematographer Larkin Seiple about why the latest film from directing duo Daniel Kwan and Daniel Scheinert is [jam-packed with movie references](https://filmschoolrejects.com/everything-everywhere-all-at-once-larkin-seiple/). Today, we’re watching a video essay that looks at how the Daniels shot Everything Everywhere All At Once on a budget.
With that being said, a screening for Academy members occurred this past weekend and the film played like gangbusters with the voters in attendance. Matt Neglia ...
Fact of the matter is that I don’t think the film will be winning any Oscars, but you can bet it’ll be nominated in a bunch of categories. Reactions of “Wow” & “That was incredible” heard coming out. For a 45 minutes it works very well and then it just completely falls off the rails.