Vendhu Thanindhathu Kaadu

Vendhu Thanindhathu Kaadu is one of the masterpieces he has made till date, made by Gautham Menon Vasudev.

Vendhu Thanindhathu Kaadu is one of the masterpieces he has made till date. It is proved that he is one of the most bankable actors in the Tamil film industry. He doesn’t take risks with any other genres and is a pro when it comes to making films in both these genres. Gautham Menon has explored the unseen side of mafia, the lives and danger involved in it and how people are exploited. That everything and anything even means if he has to cross paths with the underworld don and mafia. He’s got to deal with a lot of things and to survive he has to take up anything and everything that comes his way.

In a recent interview, the actor, who made his debut in Kollywood aka Tamil cinema as a child actor in the 1980s and 90s, reacted to the ongoing boycott trend ...

Rahman, marking the third collaboration between the trio of the actor, filmmaker and music director. At the same, audiences have all the right to reject bad content and we have no say in it." Talking to Hindustan Times, Silambarasan TR said, "I’m always of the opinion that content always decides the fate of any movie.

The visuals from the theatres in Chennai have shown the waves of euphoria among the fans as they celebrated their favourite actor.

This is one of the Best Gangster movie in Whole cinema. Well written & Directed, Plus of the movie is ARR bgm and songs it's mixes well in all scenes. Well written & Directed, Plus of the movie is ARR bgm and songs it's mixes well in all scenes". This is one of the Best Gangster movies in the whole cinema. Another fan shared a picture comparison of the actor, who went through physique change for the film, and says " Best Gangster movie in Whole cinema." The movie will be getting released in two parts and the first part has been titled 'Vendhu Thanindhathu Kaadu: The Kindling." [#Jeyamohan]says 100% [#Simbu]lived as MuthuVeeran and it's a cult classic movie of [#STR]. Another buff wrote by sharing an interview clip of the writer Jeyamohan and wrote "As Writer #Jeyamohan says 100% #Simbu lived as MuthuVeeran and it's a cult classic movie of #STR. One of the popular film enthusiasts has said that the debate is whether the writing is Jeyamohan's or Gautham's. Twitter has been flooded with reviews and responses from the Tweeple and most of them have left good notes about the movie. According to the movie trackers, a massive scale of ticket reservations was evident that Gautham Vasudev Menon and Simbu's latest collaboration was eagerly awaited by the fans. The visuals from the theatres in Chennai have shown the waves of euphoria among the fans as they celebrated their favourite actor.

Silambarasan TR's much-awaited gangster saga Vendhu Thanindhathu Kaadu has hit screens today.

Her role is said to be crucial for the film. Though Gautham Menon, who is predominantly known for his romantic films, has experimented with action in films like Vettaiyadu Vilayadu and Yennai Arindhaal, Vendhu Thanindhathu Kaadu will mark a tectonic shift in his style of filmmaking. The film follows his journey.

VTK is as much the coming-of-age story of a helpless Muthu (Silambarasan) from Naduvakurichi as it is about an outsider entering and then making it in ...

Without the usual flourishes and choreography, it is as though these lovers are simply speaking to each other in poetry, only for it to “sound” like a song that is playing to the viewer. STR gets us to feel the body-ache Muthu feels when we see him limping from place to place in his village. Jeyamohan’s writing is deftly complemented by Gautham Menon’s filmmaking style, especially when the outsider gaze contributes to a feeling of isolation and discomfort in a punishing terrain early on and then in a strange new city. Their paths keep converging and in the beginning, we sense that it is Sreedharan who got the raw end of the deal. In the arid thorn bushes that Muthu calls home, a job is the safest escape route. But the fusion of these two narrative threads is so harmonious that there’s no dissonance between the internal journey of a man destined to a life of crime and the external journey that traverses landscapes, morality, language, and time.

Vendhu Thanindhathu Kaadu marks the reunion of Gautham Menon and Simbu after a gap of six years.

[#VTK]is going to be one of the best movies this year.. And the clip is being shared to suggest that this is also the plot of Vendhu Thanindhathu Kaadu in a nutshell. VTK is touted as a departure from the conventional storytelling style of Gautham.

Conceived as a two-part film, Gautham Vasudev Menon's film has all the familiar material that you expect from a gangster film but also a few departures and ...

The formulaic twist of using the wife/girlfriend as bait is quite disappointing (how it unfolds reminded me of Kaakha Kaakha), and I wish Siddhi had more to do in the film than play the love interest. Just how far Gautham has moved away from his previous filmography is evident in where the hero and heroine (Siddhi Idnani, playing Paavai) meet – in a small clothes shop where a shy Muthu needs to buy underwear. It’s a risk because the audience may complain that they didn’t understand a line here or there, but it makes the film sound a lot more authentic. Muthu’s back is covered with thorns as he jumps through the flames and over the fence to save his life – it’s a metaphor for what’s to come. When his mother (Radikaa looks miscast) makes him remove his shirt to make a point about their suffering to his uncle, you can see the loss of dignity in his face – and he conveys it without needing to break into tears. He’s shown to be fearless in his village, but it’s more the fight of a cornered animal than the flamboyance of a hero.

According to the trailer, Vendhu Thanindhathu Kaadu is a crime-thriller story of Muthu, a character played by Silambarasan TR. Muthu, who primarily hails from a rural area, is on a quest to find his identity, and soon he rises to the perils of power by ...

Gautham Vasudev gives his voice as a narrator to tell the audience about Muthu’s journey to the Bombay Underworld and provides a point of view about him. The crime, thriller, and entertainment-filled Vendhu Thanindhathu Kaadu gathered whopping views of almost 13 million on YouTube within a day of its release. - Another fan praised the director and Silambarasan TR’s performance. [Vendhu Thanindhathu](/topic/vendhu-thanindhathu)Kaadu’s trailer was launched, the audience anticipated its theatrical release and showered love on the trailer. [Vendhu Thanindhathu Kaadu](/topic/vendhu-thanindhathu-kaadu)touched the audience on the first day of its release. [Vendhu Thanindhathu Kaadu Twitter](/topic/vendhu-thanindhathu-kaadu-twitter)Review

Vendhu Thanindhathu Kaadu Tamil (Theatres) Director: Gautham Menon Cast: Silambarasan, Siddhi Idnani, Siddique, Rating: 3/5 With 'Achcham Yenbadhu ...

[Facebook ](https://www.facebook.com/deccanherald/) Simbu internalises the pain of an accidental criminal who is always regretful of taking lives. The director’s love for Mani Ratnam is in full display. In fact, Gautham brilliantly reflects the cold, matter-of-fact operations of the underworld. Muthu (Simbu) is forced to fight for survival in Mumbai. With ‘Achcham Yenbadhu Madamaiyada’ (2016), Gautham Vasudev Menon stopped narrating gangster stories from the point of view of a cop.

Despite intriguing ideas and an invested Simbu, VTK's refusal to dive deep into the world of immigrants and gangsters means that a lot of potential feels ...

And yet, we are expected to fill up a lot of such meaning and detail in our head, with the film not quite showing great desire in wading into them. And much like in that series where the wand is said to choose the owner, here too, someone says that the gun picks its master. The high point that the first half of VTK moves towards too, is somewhat similar. How has it affected him, and how has he affected it? I also enjoyed that Madhushree’s ‘Mallipoo’ is sung not from the perspective of the dozens of dancing men, but the lonely woman we don’t see in the video call. The allegory, of course, is of people—like Muthu—whose lives hurt and hurt without respite. And when Paavai eventually wears wedding clothes, that’s when you know she’s in real trouble in the GVM universe. Sophistication is a luxury for the impoverished Muthu (Simbu maintains a rather distinct, lopsided walk throughout the film). Someone else says that the gun controls the man and not the other way round. This scorched setting of Vendhu Thanindhathu Kaadu Part 1: The Kindling, while the title flashes, serves as a prelude for what is to follow during the remainder of the film as Muthu negotiates with the life-equivalent of fires and thorns. [played by a thoroughly invested Simbu](https://www.cinemaexpress.com/tamil/interviews/2022/sep/14/silambarasan-tr-gvm-brings-out-the-real-actor-in-me-34668.html)—is unusual too in the GVM world. At several points in the film, the strange power of this gun is alluded to, almost like it were the Elder Wand in Harry Potter.