Thar movie

2022 - 5 - 7

Post cover — Image courtesy of "Hindustan Times"

Thar movie review: Anil Kapoor outshines protagonist son in half ... (Hindustan Times)

Thar movie review: Anil Kapoor outshines son Harsh Varrdhan Kapoor in the film, which begins as a Western set in Rajasthan but soon descends into torture ...

The whole subplot about dacoits and drugs is so needlessly tied in and left out, I still don't understand the purpose of it other than serving as a very taxing diversion. I do wonder if missed the significance of Thar as anything more than simply a setting for the story. He knows when it's just enough to have tears fill up your eyes and stare at the ceiling and at your future, stuck in the rut of an uneventful life. Horrifying sounds effects are introduced to add to the 'impact' of the torture and none of it leaves you for a long while. A simple homage is also paid to perhaps the greatest desi Western ever made, Ramesh Sippy's Sholay. Also read: Anil Kapoor says son Harsh Varrdhan Kapoor is the star of Thar: 'Hum to aise hi supporting actor hain' A mysterious young man with an unwashed look about him walks into a small town scorched by the sun and covered in a thick layer of dust.

Thar movie review: A grisly revenge drama uplifted by Anil Kapoor's ... (CNBCTV18)

Starring Anil Kapoor, Harshvarrdhan Kapoor, Fatima Sana Sheikh, Satish Kaushik, and Jitendra Joshi in important roles, Thar is streaming on Netflix.

Thar makes you question the unfairness of it all but it fails to let you in Siddharth’s head or heart. Though it places both of them in Munabao, their paths hardly cross, and whenever they do, their exchange is perfunctory, minimal. Whether it be Jitendra Joshi’s Panna, the abusive, ominous husband of Fatima Sana Shaikh’s Chetna or Satish Kaushik’s Bhure, Surekha’s ageing, unfit assistant who belongs to a low caste, or Mukti Mohan’s Gauri, a feisty young mother, Thar gives them all enough room to flourish. At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Even by the standards of Westerns and revenge dramas. It’s as savage and unapologetic as the acts themselves.

'Thar' review: Pretty scaffolding and little behind it (Scroll.in)

Harshvarrdhan Kapoor, Anil Kapoor and Fatima Sana Shaikh star in Raj Singh Chaudhary's film for Netflix.

Amidst the bleached whites, deep browns and intense reds, a cop tries to make sense of senseless brutality. The film seems forever poised on the brink of transdendental revelation. Chetna (Fatima Sana Shaikh) has the thick skin necessary to endure neighbourhood gossip and the expectant air characteristic of the cleavage-baring rural femme fatale. (The 108-minute direct-to-streamer film would look stunning on a big screen.) Shaadisthan director Raj Singh Chaudhary’s Thar is part neo-noir, part neo-Western and a wholly very good-looking production. Admiringly described as “resembling a Hollywood star” who has “such deep eyes”, Siddharth sticks out like a sore thumb in the village, but manages to stay a step ahead of the investigating police inspector Surekha (Anil Kapoor).

Thar movie review: The setting is the real hero in this Anil Kapoor ... (The Indian Express)

Thar movie review: This is one of those films where the setting is the real hero-- the 'marusthal' (desert) stretching as far as the eye can see, ...

In a place which feels so real, many of the actors appear grafted. In contrast, Anil Kapoor, though appearing not rustic enough, slides smoothly through the movie, zig-zagging, shooting, cursing fluently: he is the worn, tired moral centre of the movie, and he doesn’t duck a single bullet. Siddharth (Harsh Varrdhan Kapoor) wears ‘khakee’ and ochre, which matches the colours of the film, and criss-crosses the area in a muddy jeep. This film would have been called a spaghetti western in the days when Sholay (1975) was released. Thar has many elements jostling for our attention: a tiny outpost in a border town, a mysterious stranger, a couple of cops, and a series of bodies, draining of life-blood, decaying, dying. The filmmakers are aware of how much Thar, set in 1985, reminds us of the OG desi western– a balcony with a woman looking over it, the blazing lights of the desert, the armed men clattering on horses, and the keening violins.

Thar review – Anil Kapoor's violent cop thriller puts the punch in ... (The Guardian)

There are hints of Sergio Leone and Cormac McCarthy in this Rajasthan-set mystery starring the actor and his son.

Yet the truth is stranger still, and involves Siddharth’s relationship with a lonely and beautiful woman, played by Fatima Sana Shaikh. There is a very impressive action sequence involving a Land Rover flying through the air. This is a stomach-turningly violent movie, and Inspector Singh isn’t above using beatings to get answers to his questions.

Thar Movie Review: Not As Bad As It Could've Been, Not As Good ... (koimoi)

The best thing about this Anil Kapoor, Harsh Varrdhan Kapoor starrer is we won't have to get ready, go out, spend money and sit for 2 hours in a theatre to ...

But, the problem is he fails to build an equally intriguing narrative to support the feel of the film. Surekha Singh (Anil Kapoor) is the policeman who has the gut feeling that Sidharth will make some sh*t happen, and it may or may not be connected to some graphically brutal murders happening in Munabao. I lost the track after the 985th minute, as all this happens for some 1000+ minutes. The year is 1985, we’re in Munabao, a city known to have the ‘India’s last railway station’ situated in Rajasthan just at the India-Pakistan border.